Writing
Betty Can Jump at the Pram Factory: the radical 1970s play that built a scene – and changed Australia
In this piece for The Guardian, I describe finding myself on federal election day in 2022 handing out how-to-vote flyers with the film and TV actor Bruce Spence, and I look at how federal arts policy has nurtured the arts since the 1970s.
Betty Jumps High
This essay for Openbook magazine is about how the women behind Betty Can Jump first had the idea for their radical play.
The Sydney Women’s Film Group and Betty Can Jump
Before #MeToo, 1970s Australian feminists used film and theatre for women's liberation. Read my story for The Saturday Paper here.